APRAŠYMAS
The church organ that doesn’t compromise. This is the Ecclesia. It began with a desire to create an organ powerful enough to support congregrational singing, and to provide the organist with all the tools necessary to meet any challenge and fulfill any need.
THE FIVE ECCLESIA FAMILY MEMBERS
With five different models, the Ecclesia series offers a perfect solution for every choir and every church. Be it the two-manual Choir organ or the three-manual flagship of the Ecclesia range, the D-450: all Ecclesia organs fully meet the individual needs of their organists with equal elegance.
CHOIR
Take the Ecclesia choir organ, appropriately named Choir. This subtle yet elegant instrument is ideally suited for singing choirs, thanks to the speakers and the subwoofer that are integrated in the back of the organ console. The result is a fusion of song and accompaniment that blends harmoniously to reach every corner of the church.
At Johannus we fully realise that pure harmonisation is the desire of every church organist. With two manuals, 26 stops and full pedal, the Choir simply does what it should: accompany choral singing. Modest when needed, exuberant when required.
FOUR ORGANS IN ONE
When purchasing an Ecclesia, organists can choose from three different dispositions. In addition, while playing they have the choice of four different sample styles. The romantic style evokes the vocal music of Hendrik Andriessen, the baroque style does complete justice to the cantates of Johann Sebastian Bach, the symphonic style embodies Camille Saint-Saëns oratorios and the historic style brings 17th century music fully back to life. In fact, one Ecclesia organ puts four organs at the organist’s fingertips.
AUTHENTIC PIPE ORGAN SOUNDS
The Real Time Sampling technology used in the entire series greatly reduces the difference between the Ecclesia and a true pipe organ. With the digital recordings of the authentic sounds of various pipe organs that are reproduced in de Ecclesia, the organist has famous pipe organ sounds at his disposal – all from the same organ bench.
TWELVE UNIQUE REVERBS
All Ecclesia models have the so-called ASR-12™ system. This technology gives the church organist the choice of twelve unique reverbs. The high-fidelity reverb gives the impression that all cathedral acoustics are within reach, which in fact they are. No more and no less.
USEFUL FUNCTIONS
With 250 memory levels of eight memory locations, the organist can store registrations of practically his entire musical oeuvre. In addition, all expression pedals of the Ecclesia are programmable: as swell pedal, or as a general crescendo.
You begin pianissimo, tap the expression pedal with your foot to mezzoforte and then ease it up to a forceful fortissimo. This symbolises the variety of Ecclesia: a suitable organ for every church.
Specifications
System | Oranjecore™ |
Manuals | 2 |
Voices | 26 |
Ranks | 34 |
Couplers | 3 |
Tremulants | 2 |
You can choose between 3 dispositions: Dutch-Romantic German-Baroque French-Symphonic |
• |
Console
Dimensions | |
Height (excluding music desk) | 117 cm |
Height (including music desk) | 139 cm |
Width | 133 cm |
Depth (excluding pedal board) | 63 cm |
Depth (including pedal board) | 99 cm |
Finish | |
Light oak | • |
Other kind of wood or colour | optional |
Music desk | |
Plexiglas desk | • |
Wooden desk | – |
Adjustable desk | optional |
Desk lighting | optional |
Roll cover | |
Wooden roll cover (with key lock) | • |
Manuals | |
Synthetic keyboards (5 octaves) | • |
Synthetic keyboards with wooden core | optional |
Wooden keyboards (ebony/oak) with wooden core | optional |
Swell shoes | |
Wooden swell shoes | 2 |
Toe studs | |
Brass toe studs | optional |
Pedal board | |
30-note straight pedal board with plain upper keys | • |
30-note straight pedal board with dark upper keys | optional |
30-note concave pedal board with dark upper keys | optional |
30-note raco pedal board with dark upper keys | optional |
Illuminated pedal board | – |
Bench | |
Bench with music spare | • |
Bench with lift lid | optional |
Adjustable bench | optional |
External connections | |
MIDI (IN, MOD-out, SEQ-out) | • |
Aux In | • |
Aux Out | • |
Headphones | • |
Audio
Audio system | 4.1 |
Audio control | DEA™ |
Reverb channels | 2.1 |
Reverb system | |
ASR-12™, 12 unique reverbs | • |
Output amplifiers | |
Full-range amplifiers (80 Watt) | 4 |
Full-range amplifiers (180 Watt) | – |
Bass amplifier (170 Watt) | 1 |
Bass amplifier (350 Watt) | – |
Sound reproduction | |
Internal loudspeakers | 8 |
External loudspeakers | – |
Internal subwoofer | 1 |
External subwoofer | – |
Headphones/ Aux Out | SSE™ |
Functions
Controllable functions | |
0 (recall/cancel) | • |
CF (Cantus Firmus) | • |
CH (Chorus) | • |
KT (Keyboard Transfer) | • |
MB (Manual Bass) | • |
Menu (Johannus Menu) | • |
Sequence -/+ | • |
S/S (General Swell) | • |
RO (Reeds Off) | • |
Trans. (Transposer) | |
Sample styles | |
Romantic / Symphonic / Baroque / Historic | • |
Setzer memory | |
Levels | 250 |
Memory locations per level | 8 |
Presets (PP-P-MF-F-FF-T), programmable | • (+PL) |
Johannus Menu functions | |
Organ and reverberation volume | • |
Temperaments (incl. 1 custom programmable) | 12 |
Tuning (pitch) | • |
Expression pedals | |
PEPC™ (programmable expression pedal configuration) | • |
General Crescendo (through PEPC™) | • |
Miscellaneous | |
Bellows simulator | • |
LiveTune™ | • |
Dynamic chiff | • |
All organ voices C-C# | • |
• = standard – = not available
Stop list
Pedal
Subbass | 16′ |
Octavebass | 8′ |
Gedackt | 8′ |
Choralbass | 4′ |
Contra Posaune | 16′ |
Trumpet | 8′ |
Great – Pedal | |
Swell – Pedal | |
MIDI |
Great
Principal | 8′ |
Rohrflute | 8′ |
Octave | 4′ |
Open Flute | 4′ |
Twelfth | 2 2/3′ |
Octave | 2′ |
Cornet | IV |
Mixture | IV |
Trumpet | 8′ |
Tremulant | |
Swell – Great | |
MIDI |
Swell
Stopped Flute | 8′ |
Viola di Gamba | 8′ |
Vox Celeste | 8′ |
Octave | 4′ |
Koppelflute | 4′ |
Flute Twelfth | 2 2/3′ |
Waldflute | 2′ |
Tierce | 1 3/5′ |
Scharff | III |
Fagotto | 16′ |
Oboe | 8′ |
Tremulant | |
MIDI |
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